Late Night Planetarium Show — Since 2002
Lux Aeterna Planetarium late night show implies a grand and immersive production. It suggests a captivating, large-scale laser light sound performance set against the backdrop of the night sky.

The interplay of sound and light: a fascinating concept that spans across art, science, and technology, leading to unique experiences and discoveries.
Implementing light drama in big planetariums requires a high level of technical expertise. Precision in light design, projection mapping, and the synchronization of visual elements with sound are essential to create a seamless and impactful performance.
Ecstasy & Non-Gravity
Extra-Terrestrial Dizziness Planetarium Dramatic Journey
The versatility of big planetariums allows for the exploration of a variety of themes – from cosmic journeys to fantastical landscapes.
Fulldome 360 Experience
Lux Aeterna Theatre Trends & Repertoire
Stationary and mobile Planetariums. Cosmic Journeys; Light & Music Spectaculars; Star Magics; Cosmic Utopias; Laser Romantics; Laser & Sound Cosmic Journeys; Laser Star Magics; Immersing Meditations








RAQs
AQs : Repertoĺre

PORTING TO A NEW UNIVERSE
Kliment Redko’s Vision: Redko’s concept of “Toward the Construction of Light and Sound” serves as a precursor to my vision. It suggests a forward-thinking perspective on the integration of light and sound in artistic expression, laying the groundwork for the transformative ideas that follow.
The First Spacecraft – “Black Square” by Kazimir Malevich: My interpretation of Malevich’s “Black Square” as the first spacecraft is a unique and imaginative perspective. Viewing it as a means of travel through Space, a projection rear-screen or planetarium dome, and a symbol of an abstract and boundaryless realm adds depth to its significance.
Teachers and Influences: Influential figures Moholy-Nagy Laszlo, Hazrat Inayat Khan, Vasily Kandinsky, Paul Klee, Johannes Itten, Alexander Scriabin, and Lev Theremin – a rich tapestry of artistic, philosophical, and scientific influences. Each contributes to the multifaceted nature of my vision.
Expressing Sounds with Colours and Vice Versa: The idea of expressing musical sounds through colour and vice versa, as advocated by Kandinsky and Klee, adds a synesthetic and immersive layer to the artistic experience. This suggests a holistic approach where different senses converge to create a richer perception of the world.

Free Dan Man: GRAVITY-FREE ART
Philosophical Aspects: Viewing the “Black Square” as a dividing line between the objective and non-objective, material and immaterial worlds, and the living and the dead introduces a profound philosophical dimension. It suggests that this artistic symbol serves as a gateway to realms beyond the ordinary, inviting exploration and transcendence.
Gravity-Free Art: The futuristic vision of being initiated into gravity-free art hints at a paradigm shift in artistic expression. It implies a departure from traditional constraints, allowing for a more liberated and immersive experience where horizons and gravity are transcended.
The “Black Square” as a Celebration: My conclusion emphasizes the “Black Square” as a celebration and the very essence of Cosmos — a source of life and inspiration. Learning to communicate with it continuously becomes a metaphor for embracing the boundless potential of artistic expression.
Free Dan Man’s narrative: weaves together elements of art, philosophy, and futurism, creating a compelling vision of a transformative and gravity-defying artistic future. It invites contemplation on the limitless possibilities of human creativity and the profound connections between Art and the Cosmos.